雨果(1802-1885)，法国著名小说家、诗人。《笑面人》是他的主要长篇小说之一。

雨果(1802-1885)，法国著名小说家、诗人。《笑面人》是他的主要长篇小说之一。

Susan laughs, she sings, she rides, she swings. She gets angry, she gets sad, she is good, she is bad. In fact, Susan is the same as any other child. It is only when we turn the last page that we discover that Susan is in a wheelchair – a revelation that paves the way for discussion about an important issue.

Susan laughs, she sings, she rides, she swings. She gets angry, she gets sad, she is good, she is bad. In fact, Susan is the same as any other child. It is only when we turn the last page that we discover that Susan is in a wheelchair – a revelation that paves the way for discussion about an important issue.

Susan laughs, she sings. she rides, she swings. She gets angry, she gets sad, she is good, she is bad... Told in rhyme, this story follows Susan through a series of familiar activities. She swims with her father, works hard in school, plays with her friends -- and even rides a horse. Lively, thoughtfully drawn illustrations reveal a portrait of a busy, happy little girl with w...(展开全部)

First published in France in 2013, My Mother Laughs is the final book written by the legendary and beloved Belgian artist and director Chantal Akerman (1950–2015) before her death. A moving and unforgettable memoir, the book delves deeply into one of the central themes and focuses of Akerman’s often autobiographical films: her mother, who was the direct subject of her final fil...(展开全部)

First published in France in 2013, My Mother Laughs is the final book written by the legendary and beloved Belgian artist and director Chantal Akerman (1950–2015) before her death. A moving and unforgettable memoir, the book delves deeply into one of the central themes and focuses of Akerman’s often autobiographical films: her mother, who was the direct subject of her final fil...(展开全部)

作者 香特尔·阿克曼（Chantal Akerman,1950-2015） 比利时战后最为杰出的女性导演，母亲为自奥斯维辛集中营生还的波兰犹太人。她18岁时已完成了她的第一部短片《我的城市》。她在26岁时拍摄的《让娜·迪尔曼》是二十世纪最优秀的几部女性主义电影之一，于2022年由英国电影杂志《视与听》票选为“影史最伟大电影第一名”。 译者 史烨婷，浙江大学外国语学院法语语言文化研究所副教授，法国波尔多三大文学博士。主要从事法国当代文学、文学与电影、文学的跨媒介研究。出版专著《法国喜剧的电影改编》，学术译著《法国电影新生代》，译有帕特里克·莫迪亚诺《隐形墨水》、《记忆的小路》，马尔科姆·阿迈尔《时间》等。学术论文、文化散文、书评散见于《外国文学研究》、《文艺争鸣》、《书城》、《外国文艺》、《读库》等期刊杂志。 苗海豫，浙江大学法语专业法国文学方向硕士在...(展开全部)

乔纳森.卡罗尔是极少数特立独行作家中的一个，他们打开一扇窗、一道门或一条魔法通道，带你去参观他们的那个世界。 这是一个拥有魔力的人。 他会把他的眼睛借给你，从此以后，你再也不能像从前那样看待我们的世界 --------尼尔.盖曼

乔纳森.卡罗尔是极少数特立独行作家中的一个，他们打开一扇窗、一道门或一条魔法通道，带你去参观他们的那个世界。 这是一个拥有魔力的人。 他会把他的眼睛借给你，从此以后，你再也不能像从前那样看待我们的世界 --------尼尔.盖曼